Post production on Still Loved is progressing well. The score is almost complete now, with Jack Ketch doing a wonderful job. A bit more tweaking and it will be ready.
Tom Foster has been working on our Sound Effects and Claire Ellis has been our dialogue Editor. Des Murray has been preparing the first stage of our on line, and we’ve been getting our credits ready.Nas Parkash is our Sound Re Recording Mixer, who is preparing for the final mix next week with George Foulgham. It’s sounding wonderful so far.
This week we completed our colour grade with our Colourist Chris Rodgers. Director Debbie Howard and Director of Photography, Emma Dalesman worked closely with Chris to get exactly the right look and feel for Still Loved and we’re delighted with the results, it’s looking absolutely gorgeous!
Big thanks to Chris for doing such a wonderful job. It was a pleasure grading in the beautiful grading suite at Molinare with full size cinema screen, instead of on a computer, being able to see the detail really helped us to get the best cinematic look for the film and work on subtle detail. We’re incredibly happy with the results.
Our Composer, Jack Ketch, has just completed the first pass on the score, which is sounding fantastic so far, there’ll be a bit more work to do on this over the next two or three weeks. We’re having a full 5:1 surround sound mix for Still Loved to give it the optimum finish for cinemas.